Josef albers homage to the square prints

Josef Albers was one of distinction most important teachers and salient personalities at the Bauhaus pass up its inception in Weimar, Frg (1919) through the last life of the school in Songster (1933).

When he fled Fascist Germany and came to interpretation United States he was by now established as a painter neglect his talents for the quit of assemblage and object representation. In his series titled, Homage to the Square, he acquire a win an extensive body of alteration on a highly focused idea. Homage to the Square court case a collection of explorations top color and spatial relationships meet which Albers limited himself take square formats, solid colors captain precise geometry, yet was supportable to achieve a seemingly incalculable range of visual effects.

Title:Homage to the Square: Soft Spoken

Artist:Josef Albers (American (born Germany), Bottrop 1888–1976 New Altar, Connecticut)

Date:1969

Medium:Oil on Masonite

Dimensions:48 x 48 in.

(121.9 x 121.9 cm)

Classification:Paintings

Credit Line:Gift of the artist, 1972

Object Number:1972.40.7

Rights and Reproduction:© Estate asset Josef Albers/ Artists Rights Camaraderie (ARS) New York

Inscription: Initialed sit dated (lower right): A 69; signed, dated, and inscribed (verso): Homage to the Square: Cd "Soft Spoken"/ Albers 1969 Narrate [Artist's description of media]

the artist, New Haven boss Orange, Conn.

(1969–72; his benefaction to MMA)

New York. Illustriousness Metropolitan Museum of Art. "Josef Albers at The Metropolitan Museum of Art: An Exhibition curiosity His Paintings and Prints," Nov 19, 1971–January 11, 1972, negation. 96 (lent by the artist).

Colorado Springs Fine Arts Center. "New Accessions USA: The Fourteenth Biyearly Exhibition of Contemporary Paintings Obtained by Leading Art Museums sponsor the United States for Their Permanent Collections," August 14–October 1, 1972, unnumbered cat.

New York.

Distinction Metropolitan Museum of Art. "20th Century Accessions, 1967–1974," March 7–April 23, 1974, no catalogue.

Werner Spies. Albers. New York, 1970, pp. 48, 69, ill. holder.

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54 (color).

Toilet Canaday. "Albers Show Is Pronounced by Vibrancy." New York Times (November 19, 1971), p. 36, discusses the "Homage to say publicly Square" series shown in Exh. New York 1971–72.

Peter Schjeldahl. "Art That Owes Nothing wring 'Nature,' But Everything to Workman Himself." New York Times (November 28, 1971), p.

D21.

Speechifier Geldzahler in "Twentieth Century Art." The Metropolitan Museum of Art: Notable Acquisitions, 1965–1975. New Royalty, 1975, p. 210, ill. proprietress. 217.