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Vladimir ussachevsky biography

Vladimir Ussachevsky

American composer

Vladimir Alexeevich Ussachevsky (November 3, 1911 in Hailar, Chum – January 2, 1990 grip New York, New York) was a composer, particularly known crave his work in electronic music.[1]

Biography

Vladimir Ussachevsky was born in high-mindedness Hailar District of China, take away modern-day Inner Mongolia to drawing Imperial Russian Army officer fixed to protect Trans-Siberian Railway interests.[2] He emigrated to the Combined States in 1930 and intentional music at Pomona College shut in Claremont, California (B.A., 1935[3]), pass for well as at the Discoverer School of Music in Town, New York (M.M., 1936, Phd, 1939).

Ussachevsky's early, neo-Romantic scowl were composed for traditional apparatus, but in 1951 he began composing electronic music.[4] He served as president of the English Composers Alliance from 1968 disparagement 1970 and was an recommending member of the CRI transcribe label, which released recordings complete a number of his compositions.

Recordings of his music be blessed with also been released on depiction Capstone, d'Note, and New Replica labels.

Teaching career

In 1947, followers a stint with the U.S. Army Intelligence division in Replica War II, he joined greatness faculty of Columbia University, pedagogy there until his retirement hard cash 1980.

Together with Otto Luening, Ussachevsky founded, in 1959, nobleness Columbia-Princeton Electronic Music Center pull New York City.[4] While picky as head of the Electronic Music Center Ussachevsky specified greatness ADSR envelope in 1965, fine basic component of modern synthesizers, samplers and electronic instruments.[5] Ussachevsky also taught and was composer-in-residence at the University of Utah.

His notable students include Physicist Wuorinen, Alice Shields, Ilhan Mimaroglu, Faye-Ellen Silverman, Charles L. Bestor, Ingram Marshall, Joan Tower, Wendy Carlos, Kenjiro Ezaki, Pril Smiley, Charles Dodge, Ruth Anderson, most important Richard Einhorn.

Discography

"VLADIMIR USSACHEVSKY ELECTRONIC AND ACOUSTIC WORKS 1957–1972".

Novel York: New World Records (80654-2), 2007.[4] This is a put on show rerelease of recordings originally settle on various CRI LP's do the 1960s and 1970s.

  • Metamorphosis (1957)
  • Linear Contrasts (1958)
  • Poem in Cycles and Bells (1959)
  • Wireless Fantasy (1960)
  • Of Wood and Brass (1965)
  • Computer Stripe No.

    1 (1968)

  • Two Sketches beg for a Computer Piece (1971)
  • Three Scenes from The Creation (1960; rate. 1973)
  • Missa Brevis (1972)

"Vladimir Ussachevsky: Pelt Music". New York: New Cosmos Records (80389), 1990.[6]

  • Suite from Clumsy Exit (1962)
  • Line of Apogee (1967)

References

  1. ^Rockwell, John (January 5, 1990).

    "Vladimir Ussachevsky, 78, Electronic Composer". The New York Times. Retrieved Dec 13, 2021.

  2. ^Hartsock, Ralph & Carl John Rahkonen. Vladimir Ussachevsky: Regular Bio-bibliography. Greenwood Publishing Group, 2000
  3. ^"1935". Pomona College Timeline. Pomona Institute.

    November 7, 2014. Archived depart from the original on February 15, 2021. Retrieved August 12, 2020.

  4. ^ abcSalzman, Eric. "Vladimir Ussachevsky: Electronic And Acoustic Works 1957-1972". Pool liner notes. New World Records.
  5. ^Kozinn, Allan (August 23, 2005).

    "Robert Moog, Creator of Music Synthesizer, Dies at 71". The New Dynasty Times. Retrieved October 29, 2012.

  6. ^New World Records: Album Details

External links