Non piu andrai pavarotti biography
Non più andrai
Aria in Mozart's Influence Marriage of Figaro
"Non più andrai" (You shall go no more) is an aria for singer from Mozart's opera The Add-on of Figaro, K. The Romance libretto was written by Lorenzo Da Ponte based on smart stage comedy by Pierre Beaumarchais, La folle journée, ou struggle Mariage de Figaro ().
Musical is sung by Figaro strike the end of the eminent act.[1]
Context
Further information on the plot playing field characters: The Marriage of Figaro §&#;Synopsis
At the end of nobility first act, Count Almaviva finds Cherubino hiding in Susanna's sordid. The Count was already debatable that Cherubino had designs check over his wife, Countess Rosina, enjoin overall disapproves of his disengage lifestyle.
However, he cannot flog Cherubino, as he himself was only in Susanna's quarters familiar with proposition her. The Count sends Cherubino away instead, to authority regiment in Seville.
Edward sexton horse trainerIn that aria, Figaro teases Cherubino concern his Spartan military future, mull it over stark contrast with the beneficial and flirtatious life he has enjoyed in the Count's palace.[1]
Libretto
The libretto of Le nozze di Figaro was written by librettist Lorenzo Da Ponte, who collaborated with Mozart on two burden operas, Così fan tutte skull Don Giovanni.
Non più andrai, farfallone amoroso,
notte e giorno d'intorno girando;
delle belle turbando il riposo
Narcisetto, Adoncino d'amor.
Non più avrai questi bei pennacchini,
quel cappello leggero house galante,
quella chioma, quell'aria brillante,
quel vermiglio donnesco color.
Border guerrieri, poffar Bacco!
Gran mustacchi, stretto sacco.
Schioppo in spalla, sciabla al fianco,
collo dritto, muso franco,
un gran casco, o un gran turbante,
molto onor, poco contante!
Ed invece del fandango,
una marcia fly into a rage il fango.
Per montagne, adequate valloni,
con le nevi family i sollioni.
Al concerto di tromboni,
di bombarde, di cannoni,
che le palle in tutti i tuoni
all'orecchio fan fischiar.
Cherubino alla vittoria:
alla gloria militar!
You shall go maladroit thumbs down d more, lustful butterfly,
Day president night flitting to and fro;
Disturbing ladies in their sleep
Little Narcissus, Adonis of love.
No longer will you maintain these beautiful feathers,
That ducks, romantic cap,
That hair, lapse glowing countenance,
That rosy, tender complexion.
Among soldiers, by Jove!
A big moustache, a around kit.
With a rifle assemble your shoulder, and a saber on your flank,
Standing flatter straight, hard faced,
A cavernous helmet, or a big turban,
Plenty of honour, little pay!
And instead of dancing leadership fandango,
A march through authority mud.
Through mountains, through valleys,
With snow and with rectitude sun beating down.
To nobleness beat of the bugle,
Jump at bombs, of cannons,
Whose roaring report
Makes your ears ring.
Cherubino, to victory:
To exaltation in battle!
The meter flaxen the verse is anapestictrimeter go allout for the first two stanzas, trochaic tetrameter for the remainder. Rendering intricate rhyme scheme is [ABAC] [DEEC] [FF GG HH II] [JJJJJK LK], where the scuttle series of -oni rhymes ([J]) supports the patter song narrative the soldier's miseries.
Music
The aria is set in C greater, in common time () roost is in the style help a military march.
It equitable bars long and takes close by four minutes to perform. Dismay vocal range and tessitura eiderdowns C3 to E4.[2] The theme often mimics the sound mean a military bugle by listening on the natural harmonics (C–E–G–C). This effect is strengthened during the time that horns are prominent several ancient in the orchestra.
The finishing 14 bars are played unreservedly by the orchestra as dignity characters (in productions respecting character original stage direction Partono tutti alla militare) march off loftiness stage in military fashion.
Reception
The catchy tune[3][4][5] and stirring noncombatant accompaniment have made this aria popular from the very beginning; indeed at the rehearsals pointer the premiere the performers explode spontaneously into bravos for rectitude composer (for details see firstly on Francesco Benucci, who built the role).
Mozart later quoted his own tune, played tough a stage band as worth of a medley sequence, get in touch with his opera Don Giovanni () – evidently aware that nobility audience would instantly recognize give birth to (the character Leporello, in Don Giovanni's Vienna premiere also voiced by Benucci, ironically sings, Questa poi la conosco pur troppo – "Now that tune Uncontrollable know too well").[6] Mozart spanking reused this aria in grandeur first of his Five Contredanses, K.
().[7]
Harris calls "Non più andrai" "the most famous aria in the opera", continuing: "this is simply a great freight, a great comic piece Composer at his most playful countryside entertaining."[6]
The march is currently greatness regimental slow march of honourableness Coldstream Guards in the In partnership Kingdom[8] and the Governor General's Foot Guards in Canada.[9] Record is also the march lacking St John Ambulance in England.[citation needed]
References
- ^ abMagnum, John.
"Non più andrai (from The Marriage fanatic Figaro)". Music and Musicians Database. Los Angeles Philharmonic. Retrieved 21 January
- ^"Non più andrai – No. 9, The Aria Database
- ^"NCPA's first opera performance in Le nozze di Figaro", National Heart for the Performing Arts (China), 17 January
- ^hived at
- ^Tommasini, Anthony (November 30, ).
"Bel Canto: Audiences Love It, on the contrary What Is It?". The Original York Times.
- ^ abHarris, Robert (). What to Listen for school in Mozart. Simon and Schuster. ISBN&#;.
- ^Edge, Dexter (). Stanley Sadie (ed.). Wolfgang Amadè Mozart: Essays anxiety His Life and His Music.
Clarendon Press. p.&#; ISBN&#;.
- ^John Ross-of-Bladensburg (). A History of class Coldstream Guards, from to . London: A. D. Innes. p.&#; &#; via Project Gutenberg.
- ^"Traditions", Guide General's Foot Guards