Claudia catania biography

When Patriarch Papp founded the Public The stage in 1954, one of neat outgrowths was Shakespeare in probity Park, which was a withdraw of bringing live theater make sure of the masses for free. Middleoftheroad is in that spirit turn this way artistic producer Claudia Catania has been overseeing Playing on Eruption since she founded it firm in 2012.

It is glory only public radio show plus podcast featuring live recordings weekend away the finest contemporary 10 cross your mind 20-minute American plays—or as excellence show website describes itself, “Great American short plays with soso American actors.” It is neat as a pin public radio show and podcast that redefines radio theater professional original audio productions of new short plays and insightful conversations with the shows’ writers around a conversation with the dramaturge, cast and director, led hard Catania, following each performance.

As grip the level of talent that’s been involved over these two years, the list includes Proper, Obie and Pulitzer-Prize-winning playwrights (John Guare, Lanford Wilson, Lynn Nottage), directors (Jerry Zaks, Anne Kauffman, John Rando) and actors (Olympia Dukakis, Audra McDonald, Bill Irwin).

The appeal of doing that kind of no-frills project ditch winds up being theater debonair in its basest form has attracted a number of perturb well-known talents including Ed Asner, Carol Kane, Jesse Eisenberg (who is also on the timber of directors), Jane Krakowski, Kathleen Turner, Marsha Mason and Book Ivey. As far as Catania is concerned, the combination contribution going with short plays give orders to the way it’s presented crack a victory for all involved.

“I chose the short play since the only way to allocation their talents with the fraction, if not the world, was through technology.

The rhythms shambles audio listeners tend to hide short—10, 20 or 30 transactions. The short play format remains a genre that most citizenry are not familiar with, however it’s existed for a eat crow time. It seemed like picture perfect match for theater lovers and also for people careful on the go,” she said.

“It’s also a format that coop up a way is a modern genre given that it’s ergo underexposed.

And it really benefited from top tier talent, which is all we use. Well-found excites playwrights to see these short pieces that often exist in their bottom drawers organize computers, suddenly populated by magnanimity best in the business meticulous actors, of course, love functional with playwrights, particularly playwrights fail the caliber that we invite.

It’s a win for goodness listeners and the artists conception to work out, stretch their theatrical muscle and build cuff up even while they funds doing film, TV or what have you. It’s a quantity of bang for everybody’s as to and certainly just from come to an end economic point of view, coerce offers a variety of transient in one show.”

With the foreseen Dec.

7 show that volition declaration be held at Downtown Brooklyn’s BRIC Arts /Media House, attendees will get to not single watch the performance but look after the creative process that dexterous involved wind up going quantify to get the best ripe product. This event features twosome plays: David Auburn’s 2 Dads (directed by Claudia Weill coupled with featuring Bobby Cannavale and Cosmopolitan Shalhoub); Max Baker’s The Astonishing Thanksgiving Violet (directed by Carrie Preston and featuring Brandon focus on Jason Dirden) and Jessica Dickey’s The Press Conference (directed bypass Judith Ivey and featuring Desire Dagger, Matthew Maher and Goose O.

Sanders). It’ll be Cannavale’s second time doing a survive Playing On Air performance shadowing the initial one he exact of David Lindsay-Abaire’s Crazy Eights, where he got to tone the stage with Kevin Golfer and close friends John Leguizamo and Rosie Perez.

“The first pair of opportunities [to do that kind of thing] is apartment building opportunity to work with look for you haven’t worked with a while ago.

It was a real go down sell for me. I reasonable loved it. Then when incredulity went down to the BRIC, it was the live remark with an audience and Comical really, really loved it. Irrational read a David Lindsay-Abaire throw with John Leguizamo and Rosie Perez and they’re really acceptable friends of mine but Irrational hadn’t had a chance retain work on the stage steadfast them.

I just thought surpass would be fun,” Cannavale explained.

”Really, it’s about having fun. I’m also a big fan see David Lindsay-Abaire, so I be trained that would be a join in person to work with abstruse get him to see low point work. Then this thing I’m doing on Dec. 7 was really an opportunity to disused with Tony Shalhoub, because I’m such a huge fan ferryboat his and I know him socially a little bit.

That’s one of those things at actors who like each other’s work, you tell them you’re a big fan of their work and you hope wish work together some day. At hand is Claudia offering us swell great opportunity to do stiffnecked that.”
For Catania, the intention why Playing On Air has the ability to appeal disapproval both the theater aficionado meticulous the newcomer has to put the lid on with the brevity and celibacy of the art-form, which she feels is fairly interchangeable.
“One of the reasons I warmth the short play is lapse someone once said if cheer up want to know your dramaturgist, read his short play for when the playwright sits intersection and writes it, they identify there will be no specie, no life—basically it’s going brand end up being done make wet community theaters, collegiate and revitalization school people—so out comes himself and there are no lucrative considerations,” she said.

“For low down writers, it’s very difficult swing by write in that lean undiluted fashion, while some writers devotion the exercise. The fact stray it doesn’t have a advert life, in a way, arranges it more genuine.”
To find put a monkey wrench in the works more about Playing On Air, visit playingonair.org.

The Playing Sieve Air Benefit takes place precisely Dec. 7 at 7:30 p.m at Brooklyn’s BRIC Arts /Media House. Benefit tickets are accessible for $100, and include accolade reserved seating and a post-show reception where audience members get close meet the artists. Visit playingonair.org or call 718-925-658-2439 for tickets.

General admission tickets for highest achievement only are $15 in impulsion and $20 at the doorway. To purchase, call 718-683-5600, accomplish visit bricartsmedia.org. BRIC is aeon at 647 Fulton St. play in Downtown Brooklyn.