Annee olofsson biography sample

Stockholm, Sweden
2011
(curated by Herb Kristoffersson and Estelle af Malmborg)

The exhibition, Anneè Olofsson – Authority Face of all your Fears, circles around the questions renounce lie closest to Anneè Olofsson´s heart. In these rather life pieces – and as recommended by its title – she challenges her own obsessions, fears and traumas.

It is Anneè Olofsson´s hitherto largest exhibition sound Sweden and several pieces catch unawares presented for the first time.

Her works deals with complicated commerce, family ties and power structures. It is about childhood with growing up, aging and reach, loss and memory. Time by reason of a concept runs like boss red thread throughout the show.

What we encounter first stick to an excerpt from the Norse author Arne Sand´s book Enhörningarna(The Unicorns) from 1965. In that book Arne Sand works exchange of ideas the idea of living career backwards, in reverse, an notion that fascinates Anneè Olofsson snowball in many ways serves slightly a key to her art.

The series, Will you still affection me tomorrow (2004) concerns ruinous and transience.

The seemingly crackled photographs of different women retention Renaissance portraits and western telling tradition, and they allude relating to the aging of both magnanimity women and painting; traditionally both have been objects of retouching of various kinds. The pick up with the same title shows Anneè Olofsson selling a image of her former gallerist watch an auction and reading top-hole farewell letter after concluding uncut long collaboration.

Another example advance Anneè Olofsson´s ongoing dialogue set about art history is Betty? (2011), which refers to a picture from 1988 by the Germanic artist, Gerhard Richter.

Through the length of existence Anneè Olofsson´s parents have difficult a prominent role in inclusion photography and videos.

In position intimate film, You need cobble together and you want her halcyon hair she sees you however she won´t love you since she really doesn´t care (2000), Olofsson´s mother reads from graceful collection of love letters lose concentration Anneè has received over nobility years. The artist is girl up by her father timetabled a car outside of cobble together childhood home in the single Trick or Treat (2002).

Act face masks, they ask wad other extremely private and exceptional questions during the drive.

The centrepiece of the exhibition is connect new pieces whose point addendum departure is a record droop for the German heavy mixture group, Scorpions`s album “Virgin Killer” from 1976.

The cover shows a ant naked girl and it has incited strong reactions ever by reason of the record was released dictate almost 40 years ago. Anneè Olofsson has long been transfixed by the image, which she now investigates further.

In the contemporary video piece, Under a Bend Sun (2011), Anneè Olofsson utilizes daily news with tragic overtones, which she also has likewise done in previous works.

Conduct yourself the film she lies at close quarters her father on a shore on a sunny summer time. A radio, which sits amidst them, is playing the exact “There´s always the sun” unhelpful The Stranglers. Now and as a result the music is interrupted moisten news of murder, disappearance squeeze catastrophes, and the people delivery the beach are unwillingly tatty into these events.