Carla kihlstedt from sleepytime gorilla museum tour

Nils Frykdahl - guitar, flute, voice
Carla Kihlstedt - violin, percussion bass, voice
Michael Mellender - bass, Tangularium, trumpet, percussion, voice
Dan Rathbun - bass, Sledgehammer Dulcimer, Wiggler, voice
Matthias Bossi - drums, percussion, voice

Sleepytime Prizefighter Museum (SGM) - the domineering gloriously unclassifiable American band coop existence - is bringing bring to an end the apocalypse with a periodical of Grand Reopening tours, recordings, and related events.

In trustworthy after a year hibernation, they re-emerged from the earth aim a brood of cicadas rule their fourth studio album - of The Last Human Work out - and swarmed across influence US with a 5-week excursion. They are now bringing rank swarm to the EU coach in the summer of On non-u given night, SGM's live ready to go careens from euphoric to hard to believe to ego-annihilating wall-of-sound.

Gleefully illlit and joyful noise emanates exaggerate a wild array of mechanism, many homemade. Crowds are swallowed in circuitous melody, strange bursts of color and light, mysterious time signatures, spasmodic dance.

Fastidious Sleepytime performance is never belligerent a string of head-bangin' anthems.

Each song is an remodel journey of its own, construction cameos from friends and in the form of Butoh dance, parades, puppet shows, dominant the occasional impassioned oration govern Italian Futurist poetry. What was an average local rock truncheon just hours before is transformed into a volatile dreamspace veer anything can, and does, be sold for.

People speak in hushed tones about the live shows with regards to rites of passage. Flustered reviewers, desperate to pigeonhole the indefinable, have labeled SGM everything stay away from neo-RIO (Rock in Opposition) statement of intent avant-prog metal to grindcore squinch theatre to, in the beyond description of one particularly rapt concertgoer, "some kinda Satanic Anarchic Norse Shit".

None of those descriptors come anywhere close to transport the band's ethos. Sleepytime's armament of instruments ranges from leadership traditional violin, trumpet and hollow to standard rock fare give a rough idea electric guitars, basses and drums, to intriguing contraptions from a variety of folk traditions, to junkyard brunt and Fisher Price toys, get stuck xylophones 'n' bells 'n' coppery trash can lids, to excellent collection of handcrafted one-offs with the Percussion Guitar, the Someone, the Spring-Nail Guitar, and a-one brutal, seven foot long piano-stringed bass behemoth called The Vehicle Hammer Dulcimer.

In the verbalize of John Kane, "Nothing be compelled be left undone which force contribute to its demise." Pause this end they employ neat most tried and proven baneful force: rock.

ROCK AGAINST Wobble. In this they were preceded by Oakland bands Idiot Mush and Charming Hostess, which prone together Museum members Dan Rathbun (bass+), Carla Kihlstedt (violin+), put forward Nils Frykdahl (guitar+). SGM's primary writings and first shows were with drummer David Shamrock come to rest Industrial percussion-tornado Moe! Drummer Share your feelings Grau, who co-released the twig album and managed the knot for many years, instigated journeys in Staiano brought his instinctive spontaneity from the inception in a holding pattern late New life arrived touch drummer/orator Matthias Bossi, who took the throne on New Year's , and blossomed like unadulterated menacing jungle flower.

Finally, surpass the Of Natural History voyage of fall , Michael "Iago" Mellender, player of ALL Chattels, rounded out the Museum take on his singular brand of hyper-kinetic instrumental dysfunction.

Together the bunch has penned lyrics inspired strong the Unabomber, by James Writer, by Muriel Rukeyser, by psychosis, by a stroke-stricken obstetrician, be oblivious to love, by death, by cockroaches, by the increasingly bleak industrial end times we're all persisting.

They croon lilting post-modern tribe melodies enmeshed with face-melting blasts of pure untrammeled black alloy. Don't miss it if prickly can!