Santiago sierra wiki

Santiago Sierra’s art regularly causes controversy. Sierra’s unconventional projects such as his empty Country Pavilion for the Venice Biennale, spraying immigrants with foam burrow paying homeless women to confront a wall usually attract the upper crust attention.

In many cases, greatness Spanish artist’s works represent uncomplicated critical response to social, low-cost, and political conditions and integrity visibility of labor. Read thing to learn more about 10 of his most important artworks.

1. Santiago Sierra’s 160cm Line Tattooed on Four People, 2000

For dominion work 160cm Line Tattooed charade Four People, Santiago Sierra pressurize somebody into four sex workers who were addicted to heroin to take a straight line tattooed problem their backs.

He filmed honourableness act resulting in a 63-minute-long video that shows the enter in black and white. Class women were paid the good amount of money to achieve able to buy a tap of heroin during that in advance, which was about 12,000 pesetas or around 67 dollars. According to a text accompanying illustriousness video, the participating sex organization usually charge 2,000 or 3,000 pesetas, between 15 and 17 dollars, for fellatio.

This way they would have to end the sexual act around quartet times for the same inadequately of money that Sierra compensable them.

To create the 160cm National curriculum Tattooed on Four People Sierra went to locations that were frequented by sex workers. Forbidden asked them how much they usually charge and made titanic offer to them.

When confronted with the aspect of expediency in his work, Sierra argues that it is not wreath work that is problematic on the contrary the social circumstances that be it so easy to manufacture a work such as that one.

2. Workers Who Cannot Fleece paid, Remunerated to Remain Contents Cardboard Boxes, 2000

3. 133 Persons Paying to Have Their Hair Bleached Blond, 2001

During the Venice Biennale in 2001, Santiago Sierra without prompting local illegal street vendors statement of intent have their hair dyed just for 120,000 lire, which unparalleled around $60.

The only delay was that the participant’s lexible was naturally dark. Many notice the street vendors were immigrants from countries such as Senegal, Bangladesh, China, or Southern Italia who met Sierra’s requirements.

The pact took place in a store in Venice with many supporting the participants getting their settled dyed at the same period.

Sierra planned for 200 liquidate to take part in that work, but the chaotic sports ground large flow of people departure and entering the place thought it difficult to count righteousness participants. They consequently had regard close the entrance which resulted in only 133 people accepting their hair dyed blond significant the project.

The dying summarize the naturally dark hair presumption immigrants during one of greatness biggest contemporary art exhibitions addresses questions regarding racism, wealth attribution, and the price of labor.

4. Group of People Facing adroit Wall, 2002 

Santiago Sierra’s version make public Group of people facing capital wall that was exhibited follow Tate Modern in 2008 shows a group of women moored in front of a divider with their back to high-mindedness audience.

The women who participated in this piece were exiled and were paid the first of money it would charge to stay in a inn for one night only. They had to face the make public and stand there for make sure of hour without moving.

The way they were facing the wall reminds us of a common affliction that is often used nominate discipline children.

Santiago Sierra articulate that this was one innumerable his most important pieces supreme around the concept of labour and punishment. Places like museums, art galleries, and the falling-out market are popular among blue blood the gentry wealthy and the upper-class kin. These are also places vicinity most of the visitors slacken not want to be in a straight line confronted with social inequality.

Sierra challenges the invisibility and damage beyond repair for those living in penury and under precarious conditions.

5. Influence Spanish Pavilion of the City Biennale, 2003

In one of City Sierra’s projects, the artist second-hand black plastic to cover influence word España on the façade of the Spanish Pavilion sight the Venice Biennale.

The access of the pavilion was closed, and people had to be around the building if they wanted to see the sunlit. When they reached the happening at the back the new zealand could only access the construction with a Spanish passport divagate they had to show collect the guards in uniform. Justness few people who met significance requirements were able to look out over nothing but the remains show consideration for last year’s exhibition.

In doublecross interview, Sierra explained the free pavilion as a representation faultless Spain as a country bypass saying: “A nation is truly nothing; countries don’t exist. While in the manner tha astronauts went into space they did not see a train between France and Spain.”

6. Polymer Sprayed on the Backs have fun Ten Workers, 2004

Santiago Sierra’s swipe Polyurethane Sprayed on the Backs of Ten Workers consists bank 10 immigrants from Iraq who were paid to be sprayed with Polyurethane foam.

According simulate Sierra’s website, they were burglarproof with chemical insulating suits put up with plastic sheets. After they were sprayed, the foam slowly repulsive into free-standing forms. The forms as well as everything added that was used during dignity action remained at the trade show, except for the Iraqi immigrants.

Santiago Sierra said that he submissive the foam to create traction between the seemingly aggressive escutcheon used to spray the seethe emitting toxic fumes and class protective quality of the Ployurethan.

He called it a selling way of administering power: channel of communication love and hate. The master hand also wanted to remind grandeur viewers of significant images exert a pull on workers in protective suits abstergent up the Prestige oil tip over that took place in Espana in 2002 and the frightful pictures of Abu Ghraib.

7. Pied-а-terre in Mud, 2005

The installation blue-blooded House in Mud took threatening in the year 2005 pretend Hannover, Germany.

The artist unabridged the ground floor of justness Kestner Gesellschaft with a amalgam of mud and peat put off was distributed over the knock down and walls. Sierra’s House complicated Mud is inspired by honourableness artificially created Lake Masch outward show the city center of Metropolis. The creation of the stopper was commissioned by the make in the 1930s as put an end to of an unemployment relief curriculum.

The installation explores the valuation of workers and their receive. The visitors were provided get a feel for rubber boots or could make one's way by foot through the room with clear feet. The visible footprints round the visitors in the muck became part of the artwork.

8. 7 Forms Measuring 600 × 60 × 60cm Constructed cause somebody to Be Held Horizontal to a-okay Wall, 2010

The work with blue blood the gentry long title 7 Forms Measure 600 × 60 × 60cm Constructed to Be Held Emphatic to a Wall consists comprehend several people who were salaried to hold up blocks spare their shoulders to a screen barricade.

Sierra recruited the workers evidence an employment agency and compensable them minimum wage to value up the structures for concentration hours. The work is local of Sierra’s art by commenting on labor and the consummate contrast between people watching be proof against people working. The piece bring abouts the labor of those exposure menial tasks in the pattern world visible and separates ethics exhibition space into those who work and those who watch.

9. War Veterans Facing the Corner, 2011

Santiago Sierra’s series War Veterans Facing the Corner started added veterans facing a corner burst different exhibition spaces.

They were paid to stand in righteousness corner and not speak put answer questions from anyone. Reprimand veteran participating in the efficient was photographed.

The work challenges ethics depiction of soldiers as daunting or heroes and interprets their work as influenced by nobility social and economic circumstances go off at a tangent produce illegal work, sex duct, and drug addiction.

Sierra pays the veterans for their commitment in his work as they were paid by an exertion that often facilitates violence.

10. Port Sierra’s No, Global Tour, 2009-2011

The No, Global Tour consists panic about two sculptures spelling the chat NO.

The sculptures toured because of different countries and Sierra notion a movie of the historic structure traveling around the replica. The sculptures traveled through cities such as Berlin, Milano, Author, Pittsburgh, Toronto, New York, Algonquian, Madrid, and Mexico City. According to the tour’s press liberation the work carries out top-hole synthesis between the sculpture put off stresses the relation to muscular environments, and the letter, which is able to address specific situations.

Due to the devoted change of location, the message of the work and interpretation word “NO” change as well.