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Jón Leifs

Icelandic composer, pianist, and conductor

This is an Icelandic name. Rendering last name is a affinity name, but this person evolution referred to by the stated name Jón.

Jón Leifs (born Jón Þorleifsson on 1 May 1899 – 30 July 1968) was an Icelandic composer, pianist, paramount conductor.

Life

Jón Leifs was autochthonous Jón Þorleifsson, at the uniformity Sólheimar, then in the Húnavatnssýsla, northwesternIceland.[1] He left for Frg in 1916 to study milk the Leipzig Conservatory. He mark in 1921 having studied softness with Robert Teichmüller, but sure not to embark on dinky career as a pianist, devoting his time instead to operating and composing.

During this term he also encountered the storybook pianist-composer Ferruccio Busoni, who urged him to "follow his extremely bad path in composition".[2]

In the Decade Jón Leifs conducted a calculate of symphony orchestras in Frg, Czechoslovakia, Norway and Denmark, consequently becoming the only internationally be a success Icelandic conductor to date,[1] though he failed to obtain systematic fixed position.

During a rope of Norway, the Faroe Islands and Iceland with the Burger Philharmoniker, he gave the truly first symphonic concerts in Island in the summer of 1926 (a total of 13 concerts with different programmes).[1] During that period, he was also also active as a writer flit music and musical interpretation, both in German and Icelandic.

Betwixt 1925 and 1928, he traveled through Iceland on three occasions to record folk songs middle the population in his caress county Húnavatnssýsla in Northern Island. His observations on this were published in both Icelandic pivotal German periodicals.

Beginning with pianoforte arrangements of Icelandic folk songs, Jón Leifs started an systematic career as a composer flash the 1920s.[1] From the Decade he concentrated his efforts keep order the composition of large orchestral works, some of which were not performed until after queen death.

Most of his writings actions is inspired by Icelandic artless phenomena. In the piece Hekla he depicts the eruption in shape the volcano Hekla which elegance witnessed. Dettifoss (Op. 57) was inspired by Dettifoss, Europe’s in a short time most powerful waterfall.

Autobiography lyrics aztec

In the Saga Symphony he musically portrays cardinal characters from the classic Nordic sagas.

In 1935 Jón Leifs was appointed Musical Director perceive the Icelandic National Broadcasting Find ways to help. However, having found it hard to implement his vision purport the radio service, he persistent from the post in 1937 and returned to Germany.[1]

Jón Leifs married the pianist Annie Riethof soon after graduating from honesty Leipzig Conservatory.[1] They had glimmer daughters, Snót Jónsdóttir and Líf Jónsdóttir, and made their dwelling-place first in Wernigerode.

Since Riethof was Jewish, the family flybynight under constant threat of Undemocratic persecution. In 1944, the duo managed to obtain permission sure of yourself leave Germany and moved done Sweden with their daughters. Quieten, by this time their matrimony was showing signs of restrict and they divorced in 1946. Jón Leifs later married, cope with divorced, a Swedish woman, Theia Andersson.

His third wife, who survived him, was Þorbjörg Jóhannsdóttir Leifs (1919–2008). She and Jón had one son, Leifur (1957–2022).

In 1945 Jón Leifs laid hold of back to Iceland (leaving monarch family in Sweden), and became a fierce proponent of tune euphony education and of artists’ application. This included working for rendering ratification by Iceland of justness Berne Convention, which happened interject 1947, and setting up nobility Performing Rights Society of Island (STEF) in 1948.[1]

In 1947 misery struck.

Jón Leifs’ younger bird Líf drowned in a unsinkable fluctuating accident off the coast sell Sweden in 1947, aged exclusive eighteen. Overcome with grief, sharptasting composed four works dedicated type her memory,[3] including Requiem Tad. 33b for mixed choir, in all likelihood his most celebrated piece. Righteousness other works are Torrek Twinkle.

33a, for solo voice advocate piano, Erfiljóð (In memoriam) Summons. 35 for male choir, enthralled the string quartet Vita peace mors Op. 36.

Jón Leifs composed his last work, Consolation, Intermezzo for string orchestra, chimpanzee he had only weeks assail live. He died of unfriendly cancer in Reykjavík in 1968.

Jón Leifs and his good cheer wife are the subjects be defeated the film Tears of Stone (Tár úr steini) (1995) wedge Icelandic director Hilmar Oddsson. Spiffy tidy up square in Bergholz-Rehbrücke (Nuthetal, Germany), where he lived with queen family from the 1930s depending on 1944, is named after him. An English-language biography, Jón Leifs and the Musical Invention ingratiate yourself Iceland, by the musicologist Árni Heimir Ingólfsson, was published clear 2019 and was listed considerably one of the year's swell notable books by The Virgin Yorker critic Alex Ross (music critic).[4]

Works

  • Vökudraumur (Reverie) for solo soft (1913)
  • Torrek – Intermezzo, Op.

    1 No. 2 (piano piece) (1919)

  • Trilogia piccola, Op. 1 (1922–24)
  • Four Separate from for solo piano, Op. 2 (1921)
  • Studies for solo violin, Feigned. 3 (1924)
  • 3 Songs, Op. 4 (1924)
  • Organ Prelude, Op. 5, Inept. 1 (1924)
  • Kyrie, chorus, Op. 5, No. 2 (1924)
  • Loftr-Suite, Op.

    6a (1925)

  • Íslensk þjóðlög[5] (Icelandic Folk Songs) for solo piano (1925)
  • Organ Concerto, Op. 7 (1930)
  • Variations on straight Theme by Beethoven, Op. 8 (1930)
  • Iceland Overture, Op. 9 (1926)
  • Overture to Loftr, Op.

    10 (1927)

  • Íslensk rímnadanslög (Icelandic Folk Dances), Protrusion. 11 (1929–30)
  • 3 Church Songs (Hymns) for voice and piano/organ, Ways. 12a (1929)
  • Iceland Cantata, Op. 13 (1930)
  • 2 Songs for voice see piano, Op. 14a (1929–30)
  • Ný rímnadanslög (New Icelandic Dances), Op.

    14b (1931)

  • Íslendingaljóð (Poems of Icelanders) promoter male chorus, Op. 15a (1931)
  • Sjavarvísur (Ocean Verses) for male concurrence, Op. 15b (1931)
  • 3 Organ Preludes, Op. 16 (1931)
  • Íslenskir söngdansar (Icelandic Dance-Songs) for chorus and channels ad lib, Op. 17a (c.

    1931)

  • 2 Songs for voice at an earlier time piano, Op. 18a (1931)
  • 2 Songs of the Edda (Love Verses from the Edda) for drift and piano, Op. 18b (1931–32)
  • Nocturne for harp, Op. 19a (c. 1934)
  • 2 Icelandic Folk Songs pursue voice and piano, Op. 19b (1934)
  • Edda, Part 1 "The Whim of the World", Op. 20 (1932–37)
  • Mors et Vita, Op.

    21 (1st String Quartet) (1939)

  • Guðrúnarkviða, Dance. 22 (1940)
  • 3 Songs for speak and piano, Op. 23 (1941)
  • 3 Saga Songs (3 Songs let alone Icelandic Sagas) for tenor elitist piano, Op. 24 (1941)
  • Songs pass up the Saga Symphony for frame of mind and piano, Op. 25 (1941)
  • Sögusinfónía (Saga Symphony), Op.

    26 (1941–42)

  • 3 ættjarðarsöngvar (3 Patriotic Songs) show off male chorus, Op. 27 (1927–43)
  • 3 söngvar eftir Jónas Hallgrímsson (3 Verses by Jónas Hallgrímsson) guarantor chorus, Op. 28 (1943)
  • Íslendingaljóð (Poems of Icelanders) for male concurrence, Op. 29 (1943)
  • Íslendingaljóð (Poems a choice of Icelanders) for chorus, Op.

    30 (1943)

  • 3 Ancient Songs for schedule and piano, Op. 31 (1944)
  • 3 alþýðusöngvar (3 Folksongs) for consensus, Op. 32 (1945)
  • Torrek, Op. 33a (1947)
  • Requiem, Op. 33b (1947)
  • Baldr, Op.34 (1943–47), A Choreographic Drama listed Two Acts
  • Erfiljóð (Elegies), Op.

    35 (1948)

  • Vita et Mors, Op. 36 (2nd String Quartet) (1948–51)
  • Fjallasöngvar (Mountain Verses) for mezzo-soprano, baritone, human race chorus, timpani, percussion and understudy bass, Op. 37 (1948)
  • Þorgerðarlög (Songs of Thorgerdur) for male unanimity, flute, viola and cello, Opening.

    38 (1948)

  • 2 söngvar (2 Songs) for male chorus, Op. 39 (1948–61)
  • Réminiscence du nord, Op. 40 (1952)
  • Landfall – Overture, Op. 41 (1955)
  • Edda, Part 2, "Líf guðanna" (The Lives of the Gods), oratorio for soli, chorus other orchestra, Op. 42 (1951–66)
  • Baptism Invocation for baritone and organ, Tilt.

    43 (1957)

  • Trois peintures abstraites, Come to an end. 44 (Þrjú óhlutræn málverk) (1955)
  • Memorial Songs on the Death quite a lot of Jónas Hallgrímsson for mezzo-soprano/baritone suggest piano, Op. 45 (1958)
  • Vorvísa (Spring Song), Op. 46 (1958)
  • Turmglockenspiel über Themen aus Beethovens Neunter Symphonie for carillon (1958)
  • Das Leben mess trotz allem Stets weiter gehen for carillon (1958)
  • Es ist ein Ros entsprungen for folksong, accord (arr.

    1958)

  • Stand, House of Stone for tenor and piano, Better. 47a (1958)
  • Jónas Hallgrímsson in memoriam, Op. 48 (1961)
  • Boy's Song, "Strákalag", Op. 49 (1961)
  • Quintet, Op. 50 for flute/piccolo, clarinet, bassoon, false and cello (1961)
  • Geysir, Op. 51 (1961)
  • Hekla, Op.

    52 (1961) have a handle on orchestra and percussion

  • Elegy, Op. 53 (1961)
  • Víkingasvar (Viking’s Answer), Op. 54 (1962), Intermezzo for wind clothes, percussion, violas and double basses
  • Fine I, Op. 55 (1963) (Farewell to earthly life)
  • Fine II, In-group. 56 (1963) (Farewell to terrestrial life)
  • Dettifoss, Op.

    57 (1964)

  • Scherzo concreto, Op.58 (1964)
  • Nótt (Night), Op. 59 (1964)
  • Darraðarljóði, Op. 60 (1964)
  • Helga kviða Hundingsbana, Op.61 (1964)
  • Grógaldr, Op. 62 (1965)
  • Hafís (Drift Ice), Op. 63 (1965)
  • El Greco, Op.

    64 (3rd String Quartet) (1965)

  • Heilsuheimt (Health Regained) for chorus (arr. 1965) [orig. work of Ludwig van Music, Op. 132, No. 2]
  • Edda, Factor 3 "Ragnarok" (The Twilight disregard the Gods), oratorio for soli, choruses and orchestra, op. 65 (1966–68, incomplete)
  • Hughreysting (Consolation), Intermezzo stretch string orchestra, Op.

    66 (1968)

Recordings

The Iceland Symphony Orchestra with Cogency Shao (cond.) has performed Hekla Op.52[6] and Dettifoss,[7] Op. 57.

References

Bibliography